Exploring disparities between acoustic and digital sound

dc.contributor.authorSá, Adriana
dc.contributor.institutionCICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
dc.date.issued2015
dc.descriptionLeonardo Transactions: Live Interfaces
dc.description.abstractMapping digital sound to an acoustic input enables the performer and the software to ‘talk’ simultaneously. Whilst the performer has direct control over the acoustic outcome, the digital can become a means of destabilization - as it is mediated through code. Musical expression substantiates as the performer addresses the unexpected resourcefully. This text describes the performative dynamics in terms of perceptual mechanics. Keywords: acoustic instruments, digital instruments, perception, conscious awareness, chancept
dc.description.statusNon peer reviewed
dc.formatapplication/pdf
dc.identifier.citationSá , A 2015 , ' Exploring disparities between acoustic and digital sound ' , Leonardo Transactions: Live Interfaces .
dc.identifier.issn1530-9282
dc.language.isoeng
dc.publisherMIT Press
dc.relation.ispartofLeonardo Transactions: Live Interfaces
dc.rightsopenAccess
dc.subjectAUDIOVISUAL
dc.subjectSOM
dc.subjectPERCEÇÃO MUSICAL
dc.subjectAUDIOVISUAL
dc.subjectSOUND
dc.subjectSOM DIGITAL
dc.subjectDIGITAL SOUND
dc.subjectMUSIC PERCEPTION
dc.titleExploring disparities between acoustic and digital sounden
dc.typearticle

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