A relação do espectador e personagem : conexão e dissociação na série Mr. Robot
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2024
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A presente pesquisa busca analisar a representação do estado dissociativo do personagem Elliot Alderson na série "Mr. Robot" e sua relação com o espectador, assim como estabelecer um paralelo entre a realidade e a ficção, explorando a construção do indivíduo em relação à sociedade. A tese aborda a questão do porquê em um mundo tão conectado as relações humanas são mais dissociadas, refletindo se essa indagação é uma problemática individual ou estrutural. O trabalho propõe traçar conexões entre a série e a sociedade, o indivíduo e o outro, o cinema e o espectador, dentro da capacidade humana de se conectar e dissociar, com o intuito de responder a essas questões. Inicialmente, a pesquisa contextualiza a série em relação ao cenário social. A metodologia adotada envolve análise formal com base em teorias psicanalíticas e cinematográficas. O segundo segmento da pesquisa analisa a construção narrativa e o uso da linguagem cinematográfica dividido em duas partes: O capítulo inicial explora a evolução do personagem Elliot Alderson e sua relação com Mr. Robot, além da posição e relação do espectador com os personagens e suas diferentes personalidades. E o último capítulo concentra-se nos episódios finais, destacando a evolução da posição do espectador e a questão central da conexão entre espectador e personagem. O principal objetivo do trabalho é analisar a série em sua construção narrativa e cinematográfica, a fim de evidenciar a relação entre o personagem e o espectador por meio das temáticas de dissociação, conexão, estádio do espelho e sensação do inquietante. E dessa forma contribuir para uma melhor compreensão da representação do estado dissociativo no cinema e sua relevância para a reflexão sobre as relações humanas e a construção da identidade em uma sociedade conectada, porém desconectada. Palavras-Chave: Mr. Robot; Elliot Alderson; Dissociação; Personagem; Espectador
The present research aims to analyze the representation of the dissociative state of the character Elliot Alderson in the series "Mr. Robot" and its relationship with the viewer, as well as to establish a parallel between reality and fiction, exploring the construction of the individual in relation to society. The thesis addresses the question of why, in such a connected world, human relationships are more dissociated, reflecting whether this inquiry is an individual or structural issue. The work proposes to draw connections between the series and society, the individual and the other, cinema and the viewer, within the human capacity to connect and dissociate, with the aim of answering these questions. Initially, the research contextualizes the series in relation to the social landscape. The adopted methodology involves formal analysis based on psychoanalytic and cinematographic theories. The second segment of the research analyzes the narrative construction and the use of cinematic language, divided into two parts: The initial chapter explores the evolution of the character Elliot Alderson and his relationship with Mr. Robot, as well as the position and relationship of the viewer with the characters and their different personalities. The final chapter focuses on the concluding episodes, highlighting the evolution of the viewer's position and the central question of the connection between viewer and character. The main objective of the work is to analyze the series in its narrative and cinematic construction, in order to highlight the relationship between the character and the viewer through the themes of dissociation, connection, mirror stage, and the uncanny. In this way, it aims to contribute to a better understanding of the representation of the dissociative state in cinema and its relevance to reflecting on human relationships and the construction of identity in a connected yet disconnected society. Keywords: Mr. Robot; Elliot Alderson; Dissociation; Character; Spectator
The present research aims to analyze the representation of the dissociative state of the character Elliot Alderson in the series "Mr. Robot" and its relationship with the viewer, as well as to establish a parallel between reality and fiction, exploring the construction of the individual in relation to society. The thesis addresses the question of why, in such a connected world, human relationships are more dissociated, reflecting whether this inquiry is an individual or structural issue. The work proposes to draw connections between the series and society, the individual and the other, cinema and the viewer, within the human capacity to connect and dissociate, with the aim of answering these questions. Initially, the research contextualizes the series in relation to the social landscape. The adopted methodology involves formal analysis based on psychoanalytic and cinematographic theories. The second segment of the research analyzes the narrative construction and the use of cinematic language, divided into two parts: The initial chapter explores the evolution of the character Elliot Alderson and his relationship with Mr. Robot, as well as the position and relationship of the viewer with the characters and their different personalities. The final chapter focuses on the concluding episodes, highlighting the evolution of the viewer's position and the central question of the connection between viewer and character. The main objective of the work is to analyze the series in its narrative and cinematic construction, in order to highlight the relationship between the character and the viewer through the themes of dissociation, connection, mirror stage, and the uncanny. In this way, it aims to contribute to a better understanding of the representation of the dissociative state in cinema and its relevance to reflecting on human relationships and the construction of identity in a connected yet disconnected society. Keywords: Mr. Robot; Elliot Alderson; Dissociation; Character; Spectator
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Orientação: Edmundo José Neves Cordeiro ; coorientação: Patrícia Sequeira Brás
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MESTRADO EM ESTUDOS CINEMATOGRÁFICOS, CINEMA, SÉRIES TELEVISIVAS, CINEMA, TELEVISION SERIES