How an audio-visual instrument can foster the sonic experience.
Miniatura indisponível
Data
2013
Autores
Título da revista
ISSN da revista
Título do Volume
Editora
MIT Press
Resumo
The chapter formulates an understanding of how an audio-visual instrument can be composed in such a way that the experience is driven through sound organization – modulated, but not obfuscated, by a moving image. This is particularly challenging, as normally the audio-visual relationship is skewed in favor of the visual. The investigation is motivated by insights derived from artistic practice. It outlines psychophysical boundaries with the aid of existing cognition/ attention research, and it describes three principles for the creation audio-visual instruments. As an example, the article describes how they are explored in a specific audio-visual instrument, combining an acoustic zither and modified software from audio processing and video-game technologies. This instrument addresses the three principles while exploring the disparities between an acoustic and a digital output. Keywords: NIME, Audio-visual relationship, Musical expression, Perception, Multisensory integration
Descrição
Live Visuals
Palavras-chave
AUDIOVISUAL, AUDIOVISUAL, PERCEÇÃO MUSICAL, MUSIC PERCEPTION, EXPRESSÃO MUSICAL, MUSICAL EXPRESSION, SENTIDOS, SENSES
Citação
Sá, Adriana (2013) How an Audio-Visual Instrument Can Foster the Sonic Experience.. In Live Visuals, eds. L. Aceti, S. Gibson, S. M. Arisona, O. Sahin, Leonardo Almanac vol. 19 No. 3, MIT Press, pp. 284-305