Abordagens e discussões sobre o espaço museal, a patrimonialização e a comunicação cultural no estudo comparativo entre Museu e Sala de Milagres do Santuário do Bomfim, em Salvador, Bahia
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Data
2017
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Edições Universitárias Lusófonas
Resumo
A pesquisa realizada teve como objetivo analisar como as práticas ex-votivas, presentes no Santuário do
Bomfim, se vinculam à cultura popular dos pagadores de promessa que são inerentes as classes sociais que
transitam livremente pela sala de milagres, e os objetos ex-votivos que são museografados no Museu dos
Ex-votos. notou-se a necessidade de realizar a interpretação e elucidação das novas dimensões e
significados culturais da arte e da religiosidade popular abordando os seguimentos conceituais dos termos
que circundam e representam a história e formação do Santuário do Senhor do Bomfim, como: o sacro e o
profano, a estética, a folkcomunicação e a museologia que são temas transversalizados que, ao final dos
estudos percebemos estarem intrinsecamente vinculados. Elucidando assim a compreensão, como se dá a
sua contextualização com os ambientes trabalhados e as diferentes formas comunicacionais, a qual, é
propiciada nos espaços abordados na pesquisa.
The research carried out had as objective to analyze how the ex-votive practices, present in the Sanctuary of the Bomfim, are linked to the popular culture of the payers of promise that are inherent to the social classes that transit freely through the room of miracles, and the ex-votive objects that Are museograted at the Museum of Ex-votos. It was noted the need to interpret and elucidate the new cultural dimensions and meanings of art and popular religiosity by addressing the conceptual followings of the terms that surround and represent the history and formation of the Sanctuary of the Lord of Bomfim, such as the sacro and the Profane, aesthetics, folkcommunication and museology that are cross-cutting themes that, at the end of the studies, we perceive to be intrinsically linked. Thus elucidating the understanding, as it gives its contextualization with the environments worked and the different forms of communication, which is propitiated in the spaces covered in the research.
The research carried out had as objective to analyze how the ex-votive practices, present in the Sanctuary of the Bomfim, are linked to the popular culture of the payers of promise that are inherent to the social classes that transit freely through the room of miracles, and the ex-votive objects that Are museograted at the Museum of Ex-votos. It was noted the need to interpret and elucidate the new cultural dimensions and meanings of art and popular religiosity by addressing the conceptual followings of the terms that surround and represent the history and formation of the Sanctuary of the Lord of Bomfim, such as the sacro and the Profane, aesthetics, folkcommunication and museology that are cross-cutting themes that, at the end of the studies, we perceive to be intrinsically linked. Thus elucidating the understanding, as it gives its contextualization with the environments worked and the different forms of communication, which is propitiated in the spaces covered in the research.
Descrição
Cadernos de Sociomuseologia
Palavras-chave
MUSEOLOGIA, MUSEOLOGY, RELIGIÃO, RELIGION, COMUNICAÇÃO, COMMUNICATION