Si no escuchan nuestra voz tendrán que vernos : artistas feministas contra la violencia feminicida
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Os assassinatos misóginos de mulheres são uma realidade global. Nas últimas décadas, houve avanços na investigação do feminicídio e do femicídio, nomeando a violência, classificando-a, quantificando-a e legislando sobre ela, pois, além de compreendê-la, é urgente sua erradicação. Frente a este panorama e na crença de que os Estados não fazem o suficiente, os protestos contra a violência femi(ni)cida têm sido constantes e variados, sendo a produção cultural um dos caminhos. Assim, esta tese tem como objetivo evidenciar como a arte como prática feminista, denuncia a violência femi(ni)cida, preserva as memórias de dor e atua na promoção e defesa dos direitos humanos, ao tempo que existe como um exercício sociomuseológico. A partir de um enfoque qualitativo, realiza-se um levantamento das ações artísticas feministas contemporâneas, de 2017 a 2024, no âmbito das artes visuais, com a intenção de conhecer as motivações, sentimentos, emoções e perspectivas das mulheres que as realizam. A partir do diagnóstico e da categorização dos dados, explicará como essas iniciativas foram construídas e quais são seus alcances. O trabalho se completa com a proposta de múltiplas potencialidades para o campo museológico e o tratamento de memórias difíceis.
Misogynistic murders of women are a global reality. In recent decades, research on femicide and feminicide has advanced, naming the violence, classifying it, quantifying it, and legislating against it. Understanding it is not enough; it is urgent to eradicate it. Considering this scenario and the belief that states do not do enough, protests against femi(ni)cide violence have been constant and diverse, with cultural productions being one of the means of resistance. This thesis aims to demonstrate how art as a feminist practice denounce femi(ni)cide violence, promote and defend human rights and while existing as a sociomuseological exercise. Using a qualitative approach, it examines contemporary feminist actions in the field of visual arts from 2017 to 2024. The intention is to understand the motivations, feelings, emotions, and perspectives of the women who carry them out. Based on the diagnosis and categorization of the data, this research explains how these initiatives were developed and highlights their advantages. The work concludes with multiple proposals for the museological field and the treatment of difficul memories.
Misogynistic murders of women are a global reality. In recent decades, research on femicide and feminicide has advanced, naming the violence, classifying it, quantifying it, and legislating against it. Understanding it is not enough; it is urgent to eradicate it. Considering this scenario and the belief that states do not do enough, protests against femi(ni)cide violence have been constant and diverse, with cultural productions being one of the means of resistance. This thesis aims to demonstrate how art as a feminist practice denounce femi(ni)cide violence, promote and defend human rights and while existing as a sociomuseological exercise. Using a qualitative approach, it examines contemporary feminist actions in the field of visual arts from 2017 to 2024. The intention is to understand the motivations, feelings, emotions, and perspectives of the women who carry them out. Based on the diagnosis and categorization of the data, this research explains how these initiatives were developed and highlights their advantages. The work concludes with multiple proposals for the museological field and the treatment of difficul memories.