A Filosofia e o Cinema : Reflexões Filosóficas Sobre Sutura, Amor e Verdade em Alain Badiou
Miniatura indisponível
Data
2025
Autores
Título da revista
ISSN da revista
Título do Volume
Editora
Resumo
A pesquisa pretende posicionar o autor Alain Badiou dentro da história da filosofia do cinema, nessa perspectiva será discutido as contribuições de diversos filósofos a forma de se fazer um entendimento geral do estado da arte presente do cinema e filosofia. Com isso é pretendido um aprofundamento do contributo de Badiou ao cinema, tendo em vista a relação intrínseca entre cinema e filosofia, na tentativa de demonstrar que o cinema, como condição a filosofia, acaba por ser filosofia, e assim de acordo com o autor pesquisado para essa pesquisa, é criado uma nova sutura, onde a filosofia está condicionada a uma de suas condições. O cinema ao ser apresentado no século XX gera à filosofia novas perspectivas de pensamento, e o que ao fim acaba por ser defendido é que o cinema não está pautado como algo que se relaciona profundamente à filosofia, mas sim, o cinema está em um momento que ele próprio é filosofia. Na tentativa de chegar a essa conclusão, será amplamente discutido as formas de se fazer verdade na filosofia de Badiou, e entre os quatro procedimentos genéricos se questionar especialmente a verdade nas artes e a verdade no amor. O amor sendo a verdade que será base para a hipótese de pesquisa que o cinema é uma sutura a filosofia pelas artes e pelo amor.
The research aims to position the author Alain Badiou within the history of the philosophy of cinema. In this perspective, various contributions from different philosophers will be discussed in order to gain a general understanding of the current state of the art in the discussion of cinema and philosophy. This is intended to deepen Badiou's contribution to cinema, in view of the intrinsic relationship between cinema and philosophy, in an attempt to demonstrate that cinema, as a condition for philosophy, ends up being philosophy, and thus according to the author researched for this research, a new suture is created, where philosophy is conditioned to one of its conditions. When cinema is presented in the 20th century, it gives philosophy new perspectives for thinking, and what is ultimately defended is that cinema is not something that is deeply related to philosophy, but rather, cinema is at a time when it is philosophy itself. In an attempt to reach this conclusion, the ways of making truth in Badiou's philosophy will be widely discussed, and among the four generic procedures, truth in art and truth in love will be particularly questioned. Love being the truth that will form the basis for the research hypothesis that cinema is a suture to philosophy through the arts and through love.
The research aims to position the author Alain Badiou within the history of the philosophy of cinema. In this perspective, various contributions from different philosophers will be discussed in order to gain a general understanding of the current state of the art in the discussion of cinema and philosophy. This is intended to deepen Badiou's contribution to cinema, in view of the intrinsic relationship between cinema and philosophy, in an attempt to demonstrate that cinema, as a condition for philosophy, ends up being philosophy, and thus according to the author researched for this research, a new suture is created, where philosophy is conditioned to one of its conditions. When cinema is presented in the 20th century, it gives philosophy new perspectives for thinking, and what is ultimately defended is that cinema is not something that is deeply related to philosophy, but rather, cinema is at a time when it is philosophy itself. In an attempt to reach this conclusion, the ways of making truth in Badiou's philosophy will be widely discussed, and among the four generic procedures, truth in art and truth in love will be particularly questioned. Love being the truth that will form the basis for the research hypothesis that cinema is a suture to philosophy through the arts and through love.
Descrição
Palavras-chave
MESTRADO EM ESTUDOS CINEMATOGRÁFICOS, CINEMA, GUIÕES CINEMATOGRÁFICOS, NARRATIVA FÍLMICA, ANÁLISE NARRATIVA, FILOSOFIA, CINEMA, FILM SCRIPTS, FILM NARRATIVE, NARRATIVE ANALYSIS, PHILOSOPHY, Biblioteca - Dissertações