CICANT - Artigos de Revistas Internacionais com Arbitragem Científica

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The art of feminist-queering the Museum : Gate-leaking
(Taylor and Francis Ltd., 2020) Grácio, Rita; Coutinho, Andreia C; Falé, Laura; Sobreira, Maribel; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
This paper takes part in the ongoing debate around how museums have begun to address LGBTQI+ and feminist issues in the 21st century. While Portugal is a particularly interesting country to consider, given that it has passed some of the most advanced legislation on LGBTQI+ rights in Europe (Santos 2012), this progressivism is not reflected in Portuguese museum practices, given that gender museology has been slow to emerge (Vaquinhas 2014). After briefly contextualising initiatives addressing gender in Portuguese art museums, we present as a case study Trazer a margem para o centro (Bringing the Margin to the Centre), a series of three talks hosted by the Berardo Collection Museum, which is considered Portugal’s primary modern and contemporary art museum. Unlike previous initiatives in art museums, which were museum-led, the series of talks was led by the small intersectional feminist collective FACA. A sociologist (Rita Grácio) and the three members of FACA (Andreia Coutinho, Laura Falé and Maribel Sobreira) designed and conducted the three talks that constitute the initiative Bringing the Margin to the Centre. Grácio designed and conducted the qualitative study of the audiences that attended Bringing the Margin to the Centre. This study consisted of participant observation at the event series, at which an adapted version of the Personal Meaning Mapping technique (Falk and Storksdieck 2005) was applied; semi-structured phone interviews with participants were then conducted after the event (Falk and Dierking 2011). The main findings show this event raised awareness among cisgender visitors with heteronormative perspectives and provided a space for counter-narratives of the queer community, showing the role of collective curatorial activism and museums in promoting gender equality and inclusiveness, if acting as gate-leakers, rather than as gatekeepers. Hence, museums can provide lessons to other organisations interested in promoting diversity and inclusion.
Belonging to a community: the mediation of belonging
(OberCom, 2012) Damásio, Manuel José; Henriques, Sara; Costa, Conceição; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
This paper introduces the concept of belonging and discusses it in the context of online social networking experience and community experience considering social capital and user’s activities as nuclear concepts to understand collective actions and social relationships mediated by social media. The paper presents an empirical approach based on the study of two local communities and analyses whether interactive social technologies promote greater social involvement and higher production of social capital and participation, that results in a greater sense of belonging within communities. The results indicate a positive relationship between the use of social media and the increase of social capital and sense of belonging. Our work discusses the role and influence of social media in communitarian practices and the relevance social capital theory has as an outcome of media technologies use that result in a greater sense of belonging to a community.
The bodies of the (digitized) body : experiences of sexual(ised) work on OnlyFans
(Society of Media Researchers In Denmark, 2021) Cardoso, Daniel; Scarcelli, Cosimo Marco; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
OnlyFans has enjoyed increasing attention from media and from users and consumers, especially since the start of the covid-19 pandemic, and particularly amongst internet- savy emerging adults. We used semi-structured interviews to collect testimonies from young Italian women (N=20) who sell their own sexual(ised) content on OnlyFans and processed them through Thematic Analysis (Braun & Clarke 2006). Through this process, we sought to explore how different bodies are conceptualized in relation to content production, and how labour takes somatic existence in multiple ways. We looked at (1) how the body is prepared to be presented and mediatized, (2) how its presentation is conceptualized and actualized, and (3) how that work of re-presentation, as a work of networking and therefore where bodily energy is invested and expended. Through this, we show how there are multiple, concurrent and at times contradictory, narratives about corporality, and that potency and healing coexist alongside exhaustion.
Children’s cancer narratives on YouTube : Agency and entrepreneurship in Brazilian CarecaTV
(SAGE Publications Ltd, 2020) Marôpo, Lidia; Carvalho, Raiana de; Jorge, Ana Margarida Ferreira Rato; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
This article looks at the social and cultural contexts of children’s experiences of illness, through a particular focus on the context of the Global South and the role of the social media platform YouTube in children’s culture. It takes a socio-constructivist approach to discuss the case of CarecaTV (BaldTV), a Brazilian YouTube channel with more than one million followers created by Lorena Reginato at the age of 12 when she was recovering from brain cancer. In CarecaTV, cancer subjectivity co-exists with and is expressed through digital commercialization. On the one hand, through this process, Lorena Reginato gains agency as she offers an inspirational and credible first-person testimony about cancer during childhood and becomes an emerging cancer activist. On the other, she uses entrepreneurship strategies associated with the digital influencer model of YouTube to promote herself as a (cancer) micro-celebrity, taking the lead in a youthful and playful culture.
Combining the rational and relational perspectives of electronic trading
(Taylor and Francis Ltd., 2009) Redondo, Eduardo; Daniel, Elizabeth; Ward, John; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
Many organisations make extensive use of electronic linkages to facilitate their trading exchanges with partners such as suppliers, distributors and customers. This research explores how the use of inter-organisational systems (IOS) both affects, and is affected by, the relationships between trading partners. In doing this, it brings together two existing but distinct perspectives and literatures; the rational view informed by IOS research, and the behavioural or relationship perspective embodied in inter-organisational relationships (IOR) literature. The research was undertaken in the European paper industry by means of six dyadic case studies. The dyads studied covered both traditional electronic data interchange systems and newer e-marketplace environments. A framework was derived from existing literature that integrates the two perspectives of interest. The framework was used to analyse the case studies undertaken and enabled the inter-relationship between IOS use and IOR to be explained.
Defining polyamory : a thematic analysis of lay people's definitions
(Springer New York, 2021-05) Cardoso, Daniel; Pascoal, Patricia M.; Maiochi, Francisco Hertel; Escola de Comunicação, Arquitetura, Artes e Tecnologias da Informação; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias; Escola de Psicologia e Ciências da Vida
This study aimed to analyze laypeople’s definitions of polyamory and compare definitions presented by people who are not willing to engage in consensual non-monogamy (CNM) and those who are or are willing to be in a CNM relationship. This exploratory qualitative study used data collected from a convenience sample through a web survey, where people answered the question “What does polyamory mean?” We conducted thematic analysis to examine patterns in meaning and used demographic data to compare themes among groups. The final sample comprised 463 participants aged 18–66 years (M = 32.19, SD = 10.02), mostly heterosexual (60%). Of the total sample, 54% were in a monogamous relationship, followed by 21% not in a relationship, and 13% in a non-monogamous relationship. Analysis showed that people define polyamory mostly as a set of behaviors in a relationship, followed by the potential of multiple relationships or feelings for multiple people. Definitions also include emotional, sexual, and ethical aspects. People in CNM relationships are more likely to define polyamory as constituting a potential form of relating, focus more on interpersonal feelings and ethics, and include consent in their definitions than those unwilling to engage in CNM. People in CNM relationships also focus particularly on the non-central role of sex within these relationships, which might challenge assumptions about sexuality in these relationships in clinical and research settings.
Desafiar a monogamia : declaração de intenções
(2025-02-22) Navarro, Pablo Pérez; Barbosa, Mônica; Núñez, Geni; Cardoso, Daniel; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
O dossiê que você tem em mãos surgiu de uma premissa um tanto peculiar: preferíamos não ter muito claro, de antemão, sobre o que iríamos tratar. Pode parecer uma aposta arriscada para um número "temático", mas a verdade é que contávamos apenas com um conjunto de inquietudes relacionadas ao imperativo cultural da monogamia que, bem vistas, não pareciam apontar sequer na mesma direção.
Diversidade relacional e olhares mediáticos : uma década de representações jornalísticas de não-monogamias consensuais em Portugal
(2021) Cardoso, Daniel; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
O contexto dos Direitos Humanos e da cidadania íntima (PLUMMER, 1995) é frequentemente usado para explorar o poliamor (CARDOSO, 2017) e outras formas de relacionamentos alternativos à mono-normatividade (PIEPER; BAUER, 2005). O activismo em torno destes temas tende a seguir de perto a agenda política traçada em primeira instância pela comunidade LGBTQ+, sendo algumas das suas expressões mais visíveis as que se alinham com a conquista de direitos dentro do contexto das democracias liberais (AVIRAM, 2010; AVIRAM; LEACHMAN, 2015; SANTIAGO, 2015). Estudar a forma como as Não-Monogamias Consensuais (NMCs) são representadas na imprensa permite compreender a cobertura do tema, a linguagem usada, os actores sociais mobilizados, e que conceitos são passados para o público em geral. Este artigo apresenta os resultados da análise da cobertura noticiosa sobre NMCs em Portugal, na imprensa escrita, entre 2010 e 2020, através de análise de conteúdo a 238 artigos, e permite compreender que, apesar de o poliamor ter entrado de forma generalizada no vocabulário comum, a agenda mediática parece pouco sensibilizada para com as actividades e publicações de activistas sobre NMCs em Portugal, demonstrando uma limitada capacidade destes em impactar a agenda mediática e contribuindo para um foco individualizante e potencialmente despolitizado. Isto, por sua vez, dificulta a integração da diversidade de orientação relacional como um elemento plenipotenciário da organização de identidades e comunidades íntimas e seus sujeitos como detentores de direitos políticos válidos.
Diversity in partner number sexuality via Sexual Configurations Theory
(Springer New York, 2025-01-16) Mathi, Lydia Victoria Kula; Wilhelm, Bianca S.; De Barros, Ana Carolina; Cardoso, Daniel; Connolly, Sam; Van Anders, Greg; Van Anders, Sari M.; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
“Partner number sexuality” (P#S) refers to how many partners individuals have/are interested in having. Those with P#S outside of monogamous desires and/or practices commonly face stigma in North America and elsewhere. Yet theories of sexuality do not always make room for diverse P#S. One theory that does is sexual configurations theory (SCT), which visually models gender/sex and sexuality (van Anders, 2015). In this study, we investigated what insights SCT could provide into P#S, whether SCT was useful to those with minoritized P#S, and how those with minoritized P#S made use of SCT. To do so, we conducted online interviews, asking participants (N = 26) to complete two SCT diagrams and report on their experience. We used template analysis to analyze transcripts and compiled “SCT heatmaps,” aggregates of SCT diagrams. We constructed 11 major themes, including diverse understandings of eroticism and romantic/platonic relationships, the impacts of hermeneutical injustice (the injustice of knowledge systems) on participants’ abilities to conceptualize and discuss their P#S, and how SCT facilitated conversations about P#S. The heatmaps showed that participants made use of most of both SCT diagrams, showing branchedness in P#S between “eroticism” and “nurturance,” and between status, identity, and orientation. Our study highlights that the lived experience of partnering, especially of those with minoritized P#S, extends far beyond commonly understood categories, and that SCT is a useful tool that can accurately reflect diversity in P#S.
e-Health and Health literacy: a revision of research methods
(Edições Universitárias Lusófonas, 2012-12-12) Damásio, Manuel José; Mackert, Michael; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
E-health provides powerful tools to improve health, but users’ health literacy – their ability to obtain, process, and act appropriately on health information – plays a role in their ability to make the most of e-health applications. This project reviewed research focused on e-health and health literacy, coding 94 articles to provide an overview of the field including use of theory and research methods. Findings indicate a lack of theory and use of established health literacy measures.
Exploring disparities between acoustic and digital sound
(MIT Press, 2015) Sá, Adriana; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
Mapping digital sound to an acoustic input enables the performer and the software to ‘talk’ simultaneously. Whilst the performer has direct control over the acoustic outcome, the digital can become a means of destabilization - as it is mediated through code. Musical expression substantiates as the performer addresses the unexpected resourcefully. This text describes the performative dynamics in terms of perceptual mechanics. Keywords: acoustic instruments, digital instruments, perception, conscious awareness, chance
Framing empathy : examining audience responses to female-on-male sexual violence
(Springer, 2025-02-17) Tselenti, Danai; Cardoso, Daniel; Carvalho, Joana; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
The purpose of this secondary study was to investigate readers’ empathic framings in response to a female-on-male rape literary story, as articulated in online reviews on Goodreads. Drawing upon Nabi’s “emotions-as-frames” approach, we conducted a qualitative framing analysis by using a combination of deductive and inductive strategies. Two overarching empathy frames already present in the literature (bright, and dark empathy) served as interpretive anchors for categorizing empathic responses. Additionally, sentiment analysis was used to assess responses’ emotional valences. Qualitative findings yielded five main framings: (1) femalecentered empathy and (2) sadistic empathy (aligning with the dark empathy frame); (3) empathic distress and (4) empathic anger (demonstrating overlaps between the bright and dark empathy frame), and (5) compassion (characteristic of the bright empathy frame). Sentiment analysis results showed a notable presence of mixed sentiments. Our findings highlight how empathy operates across a spectrum, encompassing various combinations of self-oriented and other-oriented framings with diverse emotional valences (positive, negative and mixed). These nuanced responses shape distinct paths of feeling through, with/as, for, or even showing concern for the fictional male victims. They further point to the significance of “feeling rules” that socially distribute empathy and establish hierarchies of “deserving” and “nondeserving” recipients. Departing from previous research that approaches empathic reactions to rape themes within a unidimensional perspective, our findings point to the importance of addressing the interrelations between audience responses and multi-dimensional, multivalent emotional flows. We further discuss the implications of the “darker” sides of empathic engagement for sexual violence prevention and efforts to challenge male rape myths.
How an audio-visual instrument can foster the sonic experience.
(MIT Press, 2013) Sá, Adriana; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
The chapter formulates an understanding of how an audio-visual instrument can be composed in such a way that the experience is driven through sound organization – modulated, but not obfuscated, by a moving image. This is particularly challenging, as normally the audio-visual relationship is skewed in favor of the visual. The investigation is motivated by insights derived from artistic practice. It outlines psychophysical boundaries with the aid of existing cognition/ attention research, and it describes three principles for the creation audio-visual instruments. As an example, the article describes how they are explored in a specific audio-visual instrument, combining an acoustic zither and modified software from audio processing and video-game technologies. This instrument addresses the three principles while exploring the disparities between an acoustic and a digital output. Keywords: NIME, Audio-visual relationship, Musical expression, Perception, Multisensory integration
A method for the analysis of sound art and audio-visual performance
(McGraw Hill Education, 2021-07) Sá, Adriana; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
O termo NIME, acrónimo de “new interface for musical expression”, aplica-se a uma grande diversidade de práticas criativas. Mas raramente se discute o que significa ‘expressão’. Neste artigo formulamos uma noção de expressão em que a interação performer-instrumento é importante, assim como a relação entre audição, visão e espaço. Articulando prática artística e ciências da perceção, descrevemos três princípios criativos e um modelo de visualização paramétrica. O modelo inclui parâmetros relativos à interação, às dinâmicas sonora e visual, à relação áudio-visual, à configuração do espaço físico e à semântica. Estes parâmetros são aplicáveis a qualquer plataforma técnica e abordagem estética. O método de visualização aqui proposto facilita a análise do modo como a sua inter-relação conduz a experiência do público. Palavras-chave : Expressão sonora, performance audiovisual, dominância sensorial, “spatial presence”, modelo de visualização paramétrica
Mummy influencers and professional sharenting
(SAGE Publications Ltd, 2022-02) Jorge, Ana; Marôpo, Lidia; Coelho, Ana Margarida; Novello, Lia; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
Sharenting (sharing parenting on social media) has become a widespread activity, and some of those parents become family influencers. Female influencers have been on the rise, partly as an alternative to the precariousness of the job market. This article presents a qualitative study on 11 Portuguese mummy and family influencers, analysing social media content observed throughout 2.5 years, as well as media discourses on them. It focuses on how these female content creators portray parenting and family, work–life balance as an influencer and their boundaries for privacy and intimacy. It demonstrates how prominent mummy influencers reproduce a neoliberal ethos which favours an individual management of reconciling motherhood and a career in the context of post-austerity and precarity, through an emotional discourse that promotes relatability with the audience, converted into an essentially consumerist agenda.
Offshoring & leaking: Cristiano Ronaldo’s tax evasion, and celebrity in neoliberal times
(2021) Jorge, Ana Margarida Ferreira Rato; Oliva, Mercè; Aguiar, Luis L M.; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
This article examines how the news media framed the allegations made in 2016 against Cristiano Ronaldo for evading taxes through offshores, and how audiences discussed this online, in Portugal, where he is originally from, and Spain, where he played football at the time. These countries were amidst an “austerity culture” justifying welfare cuts, promoting entrepreneurialism as “success”, and presenting neoliberal policies as “common sense”. Our analysis reveals Ronaldo portrayed as a member of the economic elite criticized for the high earnings of football players and celebrity tax privileges; as an ungrateful immigrant who does not contribute enough to society; and as “one like us” maneuvering to evade taxes. The comparative analysis shows audiences had double standards based on their feelings toward the celebrity, and they interpreted this case positively or negatively in relation to the inefficiency of the fiscal and justice systems in Southern Europe.
Perspectives on the future of film education in Europe
(2024-12-01) Damásio, Manuel José; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
This paper explores potential avenues for the future development of film education in Europe, emphasizing how ongoing technological, social, and institutional transformations affect both the medium of film in itself but also the pedagogical approaches implemented within film schools. Acknowledging rapid advancements like virtual and augmented reality, artificial intelligence, and shifting audience behaviors, the paper argues for a paradigm shift toward educating through film, rather than merely about it. The authors present FilmEU – one of the new “European Universities” Alliance – as a model for the future development of film education, highlighting its interdisciplinary and trans-European approach to creative arts. Additionally, the “Samsara” pedagogical framework is introduced. This is a pedagogical framework designed to foster a holistic learning experience that balances technical training with a broader media literacy and critical thinking focus. The paper advocates for innovative, project-driven approaches that enable film schools to remain relevant and impactful in the cultural and creative industries in the midst of the profound ongoing transformations.
Sexual fluidity, BDSM and gender : an exploratory study on Portuguese BDSM practitioners
(Springer New York, 2023-10-25) Marujo, Catarina; Cardoso, Daniel; Oliveira, Alexandra; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
BDSM constitutes a stigmatized form of sexuality in which sexual fluidity may arise. Noting the scarcity of research on these themes in Portugal, we sought to explore and understand sexual fluidity in people who identified themselves as BDSM practitioners, both in the context of so-called ‘vanilla’ sex and BDSM practice. Using a qualitative methodology, we prepared an online questionnaire disseminated on platforms used by BDSM practitioners, having obtained 54 participants. The data were subjected to content analysis and simple statistical analysis. Three themes emerged from the analysis: the importance of gender in both forms of sexuality, the perception and knowledge about sexual fluidity, and the experience of sexual fluidity. It was found that BDSM practitioners are relatively sexually fluid and demonstrate various sexual behaviors discordant with their romantic and sexual attractions. In addition to this, there were multiple justifications regarding the importance of gender when it comes to their attractions. It was also found that men, regardless of sexual identity, are more sexually fluid than women. This study contributes to the knowledge about BDSM and the deconstruction of categories related to gender and sexual identity, and finally, to the normalization of non-normative sexual practices.
Situating #MeToo : a comparative analysis of the movement in Catalonia and Portugal
(SAGE Publications Ltd, 2023) Roqueta-Fernàndez, Marta; CALDEIRA, ANA SOFIA PEREIRA; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
Since its re-emergence in 2017, the #MeToo movement has been adopted across the globe. #MeToo has a transnational dimension, transcending its initial US context and placing international issues alongside national concerns. This article aims to contextualize and situate #MeToo, providing a critical review of the movement in two local contexts – Catalonia (Spain) and Portugal. The analysis is grounded on empirical observations on social media, drawing as well on previous scholarship on the topic produced both internationally and in the contexts of study, and on the engagement with relevant national media sources. By focusing on national expressions of #MeToo in Portugal and Catalonia, this article explores how #MeToo took shape in (and was shaped by) the local contexts and existing feminist practices. It presents the different temporalities and dynamics of the movement in these two contexts, exploring the roles of both social media and traditional press in the local developments of #MeToo, and also briefly exploring the local legislative implications of the movement. This article thus presents #MeToo as common and easily recognisable frame used in local contexts to approach different issues of sexual and gendered violence, yet flexible enough to allow for national specificities.
UNDER FIRE : news coverage of the Russian side of the war in Ukraine as combat : The case of Bruno Amaral de Carvalho
(Associacao Brasileira de Pesquisadores de Jornalismo, 2023-12-26) Loureiro, Luís Miguel; Pereira, Rui; Figueira, Alexandra; CICANT (FCT) - Centro de Investigação em Comunicação Aplicada, Cultura e Novas Tecnologias
Partindo do caso do jornalista freelancer Bruno Amaral de Carvalho, identificamos e analisamos os dois tipos de combates em que se envolveu para garantir a cobertura da guerra da Ucrânia, para a CNN Portugal, a partir do lado russo, entre março e outubro de 2022. Além de se envolver na guerra de informação que, desde 2014, configurou dois campos metanarrativos relativamente à Ucrânia, o jornalista, o único a trabalhar desse lado da guerra para os média portugueses no período em análise, teve de combater as estratégias de degradação simbólica que lhe foram dirigidas por políticos e jornalistas, sob a forma de ataques ao caráter e à independência. O estudo recolhe os conteúdos produzidos por Bruno Amaral de Carvalho para a CNN Portugal, classificando-os de acordo com esses campos metanarrativos, e faz a decomposição e análise ao processo de degradação simbólica que obrigou o jornalista a esse duplo combate.Palavras-chave: Metanarrativas. Jornalismo. Propaganda. Guerra de informação. Degradação simbólica.

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